The Learning Screen

ENG 1131-1801 Writing through Media Fall 2010

ScreenLearning

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M 29-Nov    »”The Learning Screen” (Ulmer 2009)

and    » Conclusion “Culture Wars or Syncretism?” (299-324)
        — A Consultation (postponed); analogy: “MEmorial

     » Discuss:  WideImage (Emblem); “Heuretics” (method) & Apparatus Theory (update);
    Aporia, ATH, Remake (disciplinary target) — Final Project
     

» Due: Emblem (draft) 7pm

    Project 3 Part I — see textbook & links:
    “Design an emblem that evokes the look and feel of your mystory.” (p. 246)

» Workshop (period E1): online (Sakai chat room)

 

W 01-Dec Studio:    Emblem (progress) & WideSite

    “Design a website version of your image of wide scope (a ‘widesite’).” (p. 19)

 

F 03-Dec Studio:    Concept Remake (Assemblage Site)

Part II Using your emblem as a guide for decision (intuition), take responsibility for “re-inventing” or “updating” a topic from Career Field or a specific aspect of 20th-century culture: avoiding judgment & blindness (ATH) in favor of expressing the affect (lived dimension) of experience.

 

 
 

» Weekly Blog Entry: optional / extra credit
     (sketch / plans: Emblem → WideSite)

 


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Logorama

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» Logorama from Marc Altshuler – Human Music on Vimeo

    This is a short film that was directed by the French animation collective H5, François Alaux, Hervé de Crécy + Ludovic Houplain. It was presented at the Cannes Film Festival 2009. It opened the 2010 Sundance Film Festival and won a 2010 academy award under the category of animated short.

 

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Studio: Review

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      “Warm-up” week (review + invention) for Project 2 (due M 08-Nov)

     

    M 01-Nov Studio: review led by Band 3   Online Discussion (before & after class) — see below & comment

      » Key Q. Interface, cultural form for expression? (composing project)
       

     

    W 03-Nov Studio: review led by Band 2   Online Discussion (before & after class) — see below & comment

      » Key Q. How to express Community’s “mood of thought” in Electracy? (apparatus theory)
      Discourse of Community’s value? (not your own; see “interpellation” & “extimacy”)
       

     

    F 05-Nov Studio: Project Workshop

      (work in progress, required; to “troubleshoot” & revise in class

     

    • Weekly Blog Entry: optional / extra credit


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    Studio: Design

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    » Websites & Software potentially to use for Project 2 — experiment with during Studio week.
     

    • Note: design time/work/difficulty varies by software; strongly suggest trying sooner than later.
       
    • Initial efforts displayed / linked on blog good approach, to show “Work-in-Progress” for Friday’s class (required).
       
    • Contact me to arrange how multimedia work will count toward Project requirements and how to document (e.g., XtraNormal video: post “script,” count toward required words)
       

     

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    Cyber Duende

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    “The point for electracy is not the music as such, or does not stop with the music. Rather, as our analogy shows, the electrate dimension is not the music but the mood it supports and evokes.” (Ulmer p. 220)

     
    M 25-Oct Internet Invention Chp. 8 “The Bar (Street)”   Online Discussion (see below)

        key topics:  Atmosphere; “Liminality,” bar / street, performance;
        » Music genres & moods   {Blues, Jazz, “Funk synthesis (syncretism),” Samba, Tango}
        » Inference, conduction, “choral word”; “interbody,” “liquid architecture” (cyberspace);
        »Theorist — Agamben: whatever, spectacle / image; singularity, stanza, Irreparable
         
        → closely read: all “Comment” sub-sections & Office #2-5 (p.242)

       

      Screening: Pulp Fiction (Dir. Tarantino, 1994)

       
       

      W 27-Oct Internet Invention Chp. 8 “The Bar (Street)”

        Due: Weekly Blog Entry — Music Video / Song (embed); see prompt (#2)

       
      F 29-Oct Jason Nelson: Dreamaphage Link 2 (2003-04) & Between Treacherous Objects (2006)

       

        Due: Sat 30-Oct: Fakebook Update — Inventory


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      Design Relay: Interface Duration

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      F 15-Oct No Class—Homecoming    » read two e-lit works (see list), for Fakebook Inventory

          » suggested: discuss online (in Bands?) — either in Comments or on blogs; participation extra credit
           

       

       

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      Virtual Mood

      6 comments

       
       
      Exercise 3
      » Due: 18-Oct (posted by 720pm); 500 words + 1 media form (minimum); 10 points

      Exercise: High Concept
      Select one person or character who appears in the documents for each discourse and [present] their relationship in the style of high concept. (p. 198)

       
      — Prompt & Guide below…


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      Interface

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      modes of information
       
      Narrative
       
       
      Argument
       
       
      Figure
       
       
      Game
       

       

      Experiment Part II — Entertainment Database

      “In music, events are much closer to our reality. One should be able to write the way one sings.”
      — Hélène Cixous, Readings (1982-3)

      W 06-Oct Internet Invention Chapter 5 (126-53): “Interface Impressions”

        » Key topics: “structural portrait” style, gest/ure, “interface metaphor,” dialogue (from Plato to Web).
        — focused reading: {pp.126-37; 139-143; 150-4}
        Discuss: Part Three “Entertainment” (Assignment 2 p. 127)

      » Blog Images:: Film Character (avatar) & Video Game (interface) — for Fakebook

       

      F 08-Oct Strickland & Lawson: Slipping Glimpse & Vniverse

       


      soundtrack: memoryhouse

      click image
      for tracks


       


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