Pattern of Mood-Thought

Posted by Gary Hink
Apr 08 2010

 
 
R 08-Apr          No Class     (away at conferencereporting “assemblage expression” developments)
 

 » Groups 4 & 1:      Prep. for presentations; blog discussion, over weekend. — Assignments

 
F 09-Apr         No Class     (away at conferencelinking aesthetics & ethics)
 

      » re-view elec. lit. by Coverley & Morrisey for Inventory — discuss online? (particpt. credit)
       
      — suggested Relay reading for Inventory (scheduled for next Fri.):

 
 
Sat 10-Apr        Due: Inventory Update

      [ 6 new items, including media selection from personal database. ]

 
Sun 11-Apr         Due: Exercise 5 (“Automatic Emblems” & “Default Moods”) — Prompt
 

 
 

 
 


 
 
 
 
Exercise 5

 
Part I: Exercise: “Automatic Emblems” (p.253)

    ~150 words (about 1/3 of total); image (1 minimum);
    optional: edited/manipulated/composite (i.e. “photoshopped”) image
    — counts as 100 words toward total!
     

      Test the productive effect of the gap by composing a readymade word-thing of your own. Your selections should be made arbitrarily, but use something from one of your mystory discourses. Choose a material object from Family, Entertainment, or History, and assign to it a title of an important text in your Career discourse. Document the object with photograph & detailed descriptions of its features.

 
 

Part II: “Exercise: “Default Moods” (pp.290-1) — 300-350 words (min.)

      Document or put into a narrative what you notice about the relationship between the behaviors you perform within a particular institution, your state of mind in this performance, and the official or stated purposes or objectives of that institution.
       
      Notes: discussion can not repeat points from Exercise 4; choose one specific example to describe (follow prompt).
       

 
 

 
 
 


 
 
 
 

 » Groups 4 & 1: 

 

    In brief comments over weekend, group members should
    1. divide material (i.e. post what you would like/will cover)
    2. specify points and rationale
    3. collaborate in preparation: review, revise, refine specific points (i.e. discuss whether relevant, practical, sufficiently specific, etc)
    4. discuss questions (answering = optional; Qs to pose during presentation are good preparation, too); can be conceptual and technical: “should we…?” and “how do we…?” varieties work best.

 
 
M 12-Apr — Group 4 presentation / review

    • Amorelli Antonio*

    • Amanda Kennedy
    • Jenna Mescon
    • Jenny Garcia
    • Mary Williams

     

  • Cover:
      Internet Invention Ch. 9 (tip: review Office & Noon Star); plus Assignment: “Wide Emblem”;
      Relay: Synecdoche, NY; and Chp. 11 Conclusion

 
 

W 14-Apr — Group 1 presentation / review

    • Emilee Amihere*

    • Carrie Holmes
    • Julia Jacobo
    • Maria Perez

 

  • Cover:
      Internet Invention Ch. 10 (tip: review Office & Exercises); plus Chp. 11 Conclusion;
      Relays: Accounts of the Glass Sky, The Jew’s Daughter, and in the white darkness

     
     

     

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    2 Responses

    1. maria perez says:

      IMPORTANT TIPS FOR EX#5
      For the image figure, yes the swing plus a title from your field/major (or any related book). Then, succinct description — not explanation — of the result (concrete, sensory, material plus conceptual, especially connotations & “third” meanings). Simply: a thought experiment, via high concept / juxtaposition.

      Part 2 is straightforward: reflexive insight about mood of thought in popcycle (due to institution’s “ideal of value” & interpellation of us). Identify the experience, just like “duty” for GLU (Protestant, Capitalist, Ascetic/Sage, Father). Family might be difficult, for being “too familiar” I think. Key to describe specific situations / contexts (not to generalize).

    2. Gary, is In the White Darkness by Reiner Strasser? I got a lot of results when I Googled.

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