R 08-Apr No Class (away at conference — reporting “assemblage expression” developments)
» Groups 4 & 1: Prep. for presentations; blog discussion, over weekend. — Assignments
F 09-Apr No Class (away at conference — linking aesthetics & ethics)
- Mark Amerika, FILMTEXT 2.0
- Jim Andrews, Nio (2001)
- plus Logorama !
- » re-view elec. lit. by Coverley & Morrisey for Inventory — discuss online? (particpt. credit)
— suggested Relay reading for Inventory (scheduled for next Fri.):
Sat 10-Apr Due: Inventory Update
- [ 6 new items, including media selection from personal database. ]
Sun 11-Apr Due: Exercise 5 (“Automatic Emblems” & “Default Moods”) — Prompt
Exercise 5
- Due: 11-Apr (posted by 11pm); 500 words min.; 10 points
— Review Assignment criteria.
Part I: Exercise: “Automatic Emblems” (p.253)
- ~150 words (about 1/3 of total); image (1 minimum);
optional: edited/manipulated/composite (i.e. “photoshopped”) image
— counts as 100 words toward total!
- Test the productive effect of the gap by composing a readymade word-thing of your own. Your selections should be made arbitrarily, but use something from one of your mystory discourses. Choose a material object from Family, Entertainment, or History, and assign to it a title of an important text in your Career discourse. Document the object with photograph & detailed descriptions of its features.
Part II: “Exercise: “Default Moods” (pp.290-1) — 300-350 words (min.)
- Document or put into a narrative what you notice about the relationship between the behaviors you perform within a particular institution, your state of mind in this performance, and the official or stated purposes or objectives of that institution.
Notes: discussion can not repeat points from Exercise 4; choose one specific example to describe (follow prompt).
» Groups 4 & 1:
- In brief comments over weekend, group members should
- divide material (i.e. post what you would like/will cover)
- specify points and rationale
- collaborate in preparation: review, revise, refine specific points (i.e. discuss whether relevant, practical, sufficiently specific, etc)
- discuss questions (answering = optional; Qs to pose during presentation are good preparation, too); can be conceptual and technical: “should we…?” and “how do we…?” varieties work best.
M 12-Apr — Group 4 presentation / review
- Amorelli Antonio*
- Amanda Kennedy
- Jenna Mescon
- Jenny Garcia
- Mary Williams
- Cover:
- Internet Invention Ch. 9 (tip: review Office & Noon Star); plus Assignment: “Wide Emblem”;
Relay: Synecdoche, NY; and Chp. 11 Conclusion
W 14-Apr — Group 1 presentation / review
- Emilee Amihere*
- Carrie Holmes
- Julia Jacobo
- Maria Perez
- Internet Invention Ch. 10 (tip: review Office & Exercises); plus Chp. 11 Conclusion;
Relays: Accounts of the Glass Sky, The Jew’s Daughter, and in the white darkness
IMPORTANT TIPS FOR EX#5
For the image figure, yes the swing plus a title from your field/major (or any related book). Then, succinct description — not explanation — of the result (concrete, sensory, material plus conceptual, especially connotations & “third” meanings). Simply: a thought experiment, via high concept / juxtaposition.
Part 2 is straightforward: reflexive insight about mood of thought in popcycle (due to institution’s “ideal of value” & interpellation of us). Identify the experience, just like “duty” for GLU (Protestant, Capitalist, Ascetic/Sage, Father). Family might be difficult, for being “too familiar” I think. Key to describe specific situations / contexts (not to generalize).
Gary, is In the White Darkness by Reiner Strasser? I got a lot of results when I Googled.