Archive for the ‘Theory / Method’ Category

Frequency

Theory / Method | Posted by Gary Hink
Apr 23 2010

» Apparatus Theory:

 
Apparatus Tagxedo

 
 

 
 
 

Mixing/Tuning

Theory / Method | Posted by Gary Hink
Apr 21 2010

 
 

 
 
EQ of (4) Databases
 

Frequencies   Narrative     Rational     Lyric  
Modes   Creative     Critical     Expressive  

 

 
 

Read the rest of this entry »

Heuretics

Schedule / Update, Theory / Method | Posted by Gary Hink
Apr 18 2010

 
 
M 19-Apr          “Studio” Workshop — from emblem to refashioning concept (in electracy).

    » Tuning / Warm-up (checkpoint):

  • emblem: selections finalized (one’s “ingredients” for “recipe”);
    “sketches” in progress (online) and/or finalized.
  • tentative topic for project — Career or Community dimensions
  • Praxis: more direct/explicit than last week, implicit in our review of Chapters 9-11.
    cf. Chp. 1-2, “General Project,” “Attunement,” “Stimmung” etc.; plus “Mystory” (Chp 3).
  • examples below.

 
Due:          Extra Credit Response (optional Exercise)

 
 
W 21-Apr (last class)          “Studio” Praxis: poetics for final project (design)

    » Soundcheck (checkpoint):

  • emblem revised (if necessary); final version online
  • topic (“target” concept) revised / finalized (post in brief blog entry)
  • “raw materials” (sources) selected; refine during/after class
  • poetics / “blueprint” for assemblage; refine during/after class.

 
» Blog Entry (optional / e.c.):

      Spring term “Playlist” or “Mash-up” (multimedia suggested; perhaps also test Tagxedo?)

     
     
    R 22-Apr          No Class—Complete Project 3

     
    F 23-Apr          Due: Project 3 Progress checkpoint/update (website shows “work in progress” )

     
    S 24-Apr          Update:    Due: Project 3 (11pm deadline)

     
     
    Read the rest of this entry »

    Measure

    Theory / Method | Posted by Gary Hink
    Apr 17 2010

     

    The Crisis of Credit Visualized from Jonathan Jarvis on Vimeo.

     
     
    » Same designer (Jarvis), different project — with intriguing parallel that he notes:

     

    OverPowered – Presentation from Jonathan Jarvis on Vimeo.

     
     

    Avatar (GLU)

    Theory / Method | Posted by Gary Hink
    Mar 10 2010

     
    Theory supplement” to Ulmer’s presentation on “daimon” & “measure” (limit) in electracy.
     

      from Heuretics blog; all entries strongly recommended:
       

    • Unheimlich (04-Mar)
    •  

    • Fate Web (20-Feb)
    •  

    • Avatar Emergency (16-Sep 2009)
    •  

      • reading tip: reverse chrono., then “Duende” (current chapter concept), then chrono. review of these three entries.

     
     

    Inventive Method

    Theory / Method, online writing | Posted by Gary Hink
    Feb 17 2010

    S 20-Feb          » Due:  Project 1

      update: (posted by/on “Saturday night” — no deadline time now,
      but I will check pages on Sunday morning.)
       

        — deadline for email to guarantee reply: 8pm
        (I will certainly read and try to reply afterward;
        definitely send any “emergency notifications” regardless.)

     


     

        » suggested reading:
        “25 QUOTES TO HELP YOU STEAL LIKE AN ARTIST.”
        — Austin Kleon, 10-Feb. Link.

     

    Apparatus Theory

    Theory / Method | Posted by Gary Hink
    Feb 02 2010

    from Ulmer:


    Ulmer's Apparatus Theory

    ThreadWork

    Theory / Method | Posted by Gary Hink
    Feb 01 2010

     

     
    Bordando el Manto Terrestre by Remedios Varo (1961)
    (“Embroidering the Earth’s Mantle,” center of triptych here)

     
    Read the rest of this entry »

    Stimmung

    Theory / Method | Posted by Gary Hink
    Jan 31 2010

     

    The project is to learn to write with patterns that function
    more like music than like concepts
    .” (91)    — Ulmer, Heuretics

     

    •   Stimmung   = “mood,” “atmosphere,” tone or “tuning”
          of “chora(l) category” (Internet Invention p.101).
          See below, including “Micro-Guest-Relay Lecture”….

       

      •    key lesson:    modality of method and (eventual) poetics of project

       
       
      Karlheinz StockhausenStimmung for Six Vocalists:      (Relay?)



       
       
      Read the rest of this entry »