Posts Tagged ‘method’

Heuretics

Schedule / Update, Theory / Method | Posted by Gary Hink
Apr 18 2010

 
 
M 19-Apr          “Studio” Workshop — from emblem to refashioning concept (in electracy).

    » Tuning / Warm-up (checkpoint):

  • emblem: selections finalized (one’s “ingredients” for “recipe”);
    “sketches” in progress (online) and/or finalized.
  • tentative topic for project — Career or Community dimensions
  • Praxis: more direct/explicit than last week, implicit in our review of Chapters 9-11.
    cf. Chp. 1-2, “General Project,” “Attunement,” “Stimmung” etc.; plus “Mystory” (Chp 3).
  • examples below.

 
Due:          Extra Credit Response (optional Exercise)

 
 
W 21-Apr (last class)          “Studio” Praxis: poetics for final project (design)

    » Soundcheck (checkpoint):

  • emblem revised (if necessary); final version online
  • topic (“target” concept) revised / finalized (post in brief blog entry)
  • “raw materials” (sources) selected; refine during/after class
  • poetics / “blueprint” for assemblage; refine during/after class.

 
» Blog Entry (optional / e.c.):

      Spring term “Playlist” or “Mash-up” (multimedia suggested; perhaps also test Tagxedo?)

     
     
    R 22-Apr          No Class—Complete Project 3

     
    F 23-Apr          Due: Project 3 Progress checkpoint/update (website shows “work in progress” )

     
    S 24-Apr          Update:    Due: Project 3 (11pm deadline)

     
     
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    Aporia

    Schedule / Update | Posted by Gary Hink
    Apr 12 2010

     
     
    M 12-Apr          Conclusion (299-324): “Culture Wars or Syncretism?” — A Consultation (postponed)

        Presentation: Group 4

     
    Example: aporia visualization (not WideSite) — myOptica (ghink, 2008)

     
     
    W 14-Apr          Strasser & Coverly, in the white darkness (2004)

        Presentation: Group 1

     
    Blog Entry — Workshop prep. (due by class-time Thurs.)

     
     
    R 15-Apr          “Studio”: Workshop (poetics & praxis)— Project 3 (part 1)

     
     
    F 16-Apr          Mark Amerika, FILMTEXT 2.0   &   Jim Andrews, Nio (2001)

     

    Emblematics

    Schedule / Update | Posted by Gary Hink
    Mar 28 2010

     
     
    M 29-Mar          Internet Invention Chp. 9 (246-60). Discuss: Part Five “WideScope”

         » key topics:  Wide Image, haiku reason, “themata,” emblem;
        “cultural literacy,” readymade, “appropriation,” (Modernist / Pop Art);
        Remake: Ad form, VALS, conduction
        “the irreparable” gap (Agamben); “void”; “feeling of our being” (mood/disposition?)
         
        → closely read: Assignment & all four “Comment” sub-sections.

       
       
      W 31-Mar          Internet Invention Chp. 9 (261-77). Discuss: “Template”

           » key topics:  wabi-sabi, nostalgia, Haiku poetics (mood → aesthetics; expression)
          Tarkovsky: cinema-poetry, punctum images, emblems; chora(l) directing (auteur);
          Template: Material & Spiritual Registers (p. 267-8); “condition of singularity”;
          Ulmer’s Emblem (271-5) & Mystory: Noon Star
           
          → closely read: Office & all four “Comment” sub-sections.

         
        Due: Weekly Blog Entry (normal schedule) — Prompt: “Patterning” (p.248)

         
         
        R 01-Apr          Screening: Synechdoche, New York (Dir. Kauffman, 2008)

         
        F 02-Apr          Discuss: “cinema-poetry” Relays (Tarkovsky & Kaufmann)

            Due Sat 03-Apr: Exercise 4 (“Lyric” p.223 & “Being Singular” p.241)

           
           
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          Narrative Quilt

          Schedule / Update | Posted by Gary Hink
          Mar 21 2010
               » Group Prep.  (for presentations): Discussion on blogs, over weekend.

           
           
          M 22-Mar          Jeremy Bushnell, The Imaginary Year (2004)

              Presentation: Group 3

           
           
          W 24-Mar          Jason Nelson, Dreamaphage note: might require Flash update

              Presentation: Group 2

               
              Note: Weekly Blog Entry: optional (for e.c.)
               

          R 26-Mar         “Studio”: Workshop (praxis, “tech-support”) — Project 2

              ♦ Prep.: in addition to  reviewing  assignment and online discussion (groups’ + my Qs):
               
                       — post tech/design Qs to “troubleshoot” (partic. e.c. for “tech support” to classmates!)
                       —  prepare text  (“rough draft”) to work with in “Studio”
                      » to re-organize into collage, non-linear threads, hypertext layout, multimedia assemblage (electracy)

           
           
          F 27-Mar        Workshop / Studio (independent design time)

           
           » update «        Project 2 — Due: S 27-Mar (deadline: 11pm)

                Note: 8pm email deadline to guarantee response in time
                (still send “emergency” notes after, if necess.)
                FYI: several replies to Qs in comments below.

           
           

          Inventive Method

          Theory / Method, online writing | Posted by Gary Hink
          Feb 17 2010

          S 20-Feb          » Due:  Project 1

            update: (posted by/on “Saturday night” — no deadline time now,
            but I will check pages on Sunday morning.)
             

              — deadline for email to guarantee reply: 8pm
              (I will certainly read and try to reply afterward;
              definitely send any “emergency notifications” regardless.)

           


           

              » suggested reading:
              “25 QUOTES TO HELP YOU STEAL LIKE AN ARTIST.”
              — Austin Kleon, 10-Feb. Link.

           

          Praxis: Invention

          Schedule / Update | Posted by Gary Hink
          Feb 13 2010
            » note: “Inventory” pages fully updated (late / “overdue”) — required for group work.
             
            » over weekend, collaborate with group (online).

           
           
          M 15-Feb read: Strickland & Lawson: Slipping Glimpse

              Presentations: Groups 1 & 2

             
            W 17-Feb read: Strickland & Lawson: Vniverse

                Presentations: Groups 3 & 4
                 
                Weekly Blog Entry: optional / extra credit
                » suggest: entry about Strickland (as relay); or Exercise: “Micro Scenes” (p.92)

               
               
              R 18-Feb “Studio”: Workshop (praxis, “tech-support”)—Project 1

               
               
              F 19-Feb “Studio”: Composition Work (independent)

                  Note: necessary to show progress (“in progress”) this afternoon,
                  in place of today’s class (otherwise, no Att/Part. credit).

                 

                S 20-Feb          » Due:  Project 1

                  update: (posted by/on “Saturday night” — no deadline time now,
                  but I will check pages on Sunday morning.)
                   
                  — deadline for email to guarantee reply: 8pm
                  (I will certainly read and try to reply afterward;
                  definitely send any “emergency notifications” regardless.)

                 
                 
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                Apparatus Theory

                Theory / Method | Posted by Gary Hink
                Feb 02 2010

                from Ulmer:


                Ulmer's Apparatus Theory

                Stimmung

                Theory / Method | Posted by Gary Hink
                Jan 31 2010

                 

                The project is to learn to write with patterns that function
                more like music than like concepts
                .” (91)    — Ulmer, Heuretics

                 

                •   Stimmung   = “mood,” “atmosphere,” tone or “tuning”
                      of “chora(l) category” (Internet Invention p.101).
                      See below, including “Micro-Guest-Relay Lecture”….

                   

                  •    key lesson:    modality of method and (eventual) poetics of project

                   
                   
                  Karlheinz StockhausenStimmung for Six Vocalists:      (Relay?)



                   
                   
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