Assignments
* Note: detailed assignment descriptions will appear online in posts (Exercises) and on pages (Assignments).
Exercises
(4 total; 10 points each; 500 words with media)
Posted to personal blog, these informal compositions illustrate attentive reading of assigned texts, progress toward project, and engagement with class topics relative to schedule. Credit is assigned for (1) submitting on-time; (2) demonstrating attention to class topics, content knowledge, and critical thinking, particularly by describing insights and connections; (3) providing thoughtful and relevant responses to prompts, through specialized discourse; (4) with specific examples from personal knowledge and/or respective readings, (5) while extending rhetorical knowledge and mastery of writing conventions, practicing efficient prose (i.e. minimizing /avoiding summary, repetition, digression, and unnecessary discussion). Tentative prompts:
- Exercise 1 (due 23-Jan): Biographical Sketch (with media) — Instructions
- Optional exercise (extra credit): Critique (250 words → 25 words → 140 characters → image)
- Exercise 2 (due 03-Apr): Art Event review
- Exercise 3 (due 11-Apr): Art Event/Exhibit Update: Proposal for Network Media
- Exercise 4 (due 02-May) CraftScreen (website: C.V. + Artist Statement + Portfolio)
- Optional Exercise (due 03-May): Rhetorical Analysis (Genre & Audience) of Class Writing (3 Projects/Units)
Project 1: Technology & Aesthetics —analytic webtext
- 20 points; due 21-Feb
- Instructions Page
Overview:
- A research essay discussing critically an artist, work, and medium of your choice, as well as the aesthetic processes/techniques
and impact of technology—proposing a new understanding from your analysis, for a specialized audience (discourse community).
Note: Extended guidelines and rubric will appear on the assignment page online.
- Before composing this essay, you will compile an Annotated Bibliography (5 scholarly sources) practicing information literacy skills. (5 points; due 09-Feb)
- Webtexts: “screen-based scholarly articles that use digital media to enact the authors’ argument.” (Ball)
Group Project: Network Curating of Visual Culture
- 30 points total; last component due 21-Mar
- Assignment Page
Collaboration: Maintain site (through week 11) posting digital examples of visual culture—medium/form selected as group
- Platform options: PearlTrees, Tumblr, Pinterest, Storify, WordPress; social network account (decide as group)
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Observe & discuss new practices & cultural forms across Internet platforms, art activities/events, artist Web presence
Use Storify to document your posts (on blog)
* Annotate reflection with “screencaps” and/or videos
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Audience: public and specialized readers in field (discourse community); classmates plus outside class (social networks)
Objectives
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1. In context of network media and digital culture, examine new/current forms of art works and discourse (discussion).
Start by selecting one visual-culture form as a group for focus (e.g. film/video, museum/gallery, photography)
2. Document recent and emergent examples of interest, with perspective connecting art and media/technology
—observing forms, practices, audiences, reception, responses, and “institutions”(?)
Components (individual work):
- Annotations (of your posts) 10 points; due F 20-Mar
- Rhetorical Analysis & Critique 10 points; due S 14-Mar
- Reflection 5 points; due S 21-Mar
- Proposal 5 points; due S 21-Mar
Project 2: Illustrated Proposal for New Art Praxis
- Multimodal Assemblage (20 points; due 27-Apr)
- Poetics (5 points, 500 words; due 28-Apr; post on your blog)
- Reflection (5 points, 500 words; due 28-Apr; post on your blog)
Overview: From research, observations and experience, speculate and illustrate idea(s) for updating creative praxis and critical discourse in your medium/discipline.
Objectives
1) Apply lessons and insights from the semester and your course/field work
about technology, media, and art in network media ecology:
propose new praxis for art discipline (your field/medium/major) considering database media, distributed aesthetics, “post-Internet,” embodied, etc.
2) Beyond speculating in discussion and showing examples, use multimedia purposefully to convey, illustrate, express your innovation ideas and experience of the changing networked media conditions.
- This “assemblage expression” will include diverse elements in multiple modes; digital rhetoric and cultural logic; and materials from your entire “personal database”: details from autobiography/experience, school/field, social/community, and art/entertainment.
The media used — video, audio, images of all sorts — will be combination of found & original/created, digitally-manipulated.
We will test and practice using various software throughout the term; no prior experience with digital authoring is necessary!
Blog Work
10 weekly entries (minimum) for term: 200 words + classmate comment (Credit/no credit assigned)
Every student will create and maintain a blog throughout the semester, beginning week 2 and due each Wednesday except when noted (e.g. project weeks). Entries are informal (ungraded); consider as “Experiment Journal,” testing ideas relating to textbook & readings: e.g. note observations, post associative links & media, pose questions, describe insights—particularly connections between texts/issues and information or examples external to class. Prompts, suggestions, and further instructions will appear online throughout the term; stated simply, the main “template” is combining one specific point from class with personal example. An enjoyable and productive effort toward our study, this work offers opportunity for several objectives: practice engaging issues critically; articulating ideas, developing scholarly voice in writing; discussing material with classmates (through comments/replies) beyond classroom meetings. Likewise, one comment to a classmate’s entry is required.
- »Blogging serves a key function in our learning process, particularly as reflexive knowledge: compiling notes on digital media “relays” for later application, recognizing relevant models from all databases, and testing new types of writing with media and web design. The “Inventory” of notes compiles “materials” and rhetorical ideas for projects, updated periodically as preparation for studio workshops led by groups.
Extra Credit Opportunities
1) Comment upon or “blog about” a classmate’s Exercise (150–200 words; for participation credit).
* Note: all comments must be productive, relevant, perceptive, and above all respectful in order to receive credit.
2) Compose an additional blog entry (blog credit), for instance Project self-evaluation and/or reflection
3) For assignment credit, compose an additional response. (see prompts)