Video Project

Unit 1: Be­lief — Story — Oral­ity
Project: Dig­i­tal Sto­ry­telling video

    » over week­end:
  • consider/choose non­fic­tion story for video (out­line nar­ra­tive for work­shop)
  • Read (Re­source): Cen­ter for Dig­i­tal Sto­ry­telling (2010) “Script­ing” & “Sto­ry­board­ing” ex­cerpts (PDF )


Week 4
 
M 01-Feb  Project 1 Work­shop:

  • We­V­ideo intro/overview (au­dio record­ing, im­ages, videos)
    re­source (watch before/after class): Overview Video
     
    → We­V­ideo Guide Page (links to tu­to­ri­als, help­ful dur­ing com­pos­ing process)
     
  • Discuss/review: Project ob­jec­tives & strate­gies
     
    → Write/start in class: Sto­ry­board your video (Project 1)
    + publication/circulation map (for blog en­try)


W 03-Feb Hy­brid work:



F 05-Feb Project Work­shop:

  • Video work-in-progress
    — for peer feed­back + tech/design sup­port
     
  • look­ing ahead: fi­nal­iz­ing & pub­lish­ing video (stage 4 of progress time­line)


    » Project due dates:
  • Video Fi­nal­ized 02/08 class-time
  • Com­po­si­tion Sum­mary 02/08 evening


23 thoughts on “Video Project


  1. Video Com­pos­ing
    » Links & Tools for Stage 2


    Pixlr
    → on­line photo ed­i­tor web­site (and mo­bile app)
    — edit, crop, com­pile, col­lage, add ef­fects (“pho­to­shop”), etc. im­age files be­fore up­load­ing to We­V­ideo



    Au­dac­ity
    (down­load | tu­to­ri­als)
    — edit audio/music files (e.g. song clip, voice record­ing) be­fore up­load­ing to We­V­ideo



    In­ter­net Archive​.org
    Au­dio  | Video | Im­age di­rec­to­ries
    — search­able & brows­able data­bases; free, un­li­censed / open-access con­tent; find high-quality ready­made files, down­load, then add to We­V­ideo me­dia li­brary
     
     
    → other sources or tools for project me­dia?
     


    1. » re­minder: this is not a “media-production project,” don’t worry; rather, a rhetor­i­cal ex­plo­ration, de­cid­ing how to present nar­ra­tive.
      As a pub­lic genre (not aca­d­e­mic), the dig­i­tal sto­ry­telling video (35 min­utes) is a way to com­pose and pub­lish a nar­ra­tive con­sid­er­ing au­di­ence and style/language;
      and more­over to ex­plore the con­nec­tion of be­lief + story mode—
      as you nar­rate the story of some­one you know (not your­self),
      and con­vey their belief/value (with­out stat­ing di­rectly like a thesis/analysis).
       

  2. I have put to­gether what I would like to share with my au­di­ence about the story that I am retelling. I am work­ing on the me­dia and tech­nol­ogy side of it, ex­per­i­ment­ing with dif­fer­ent ways to get my point across in the most clear and pre­cise way. Af­ter ex­per­i­ment­ing with photo and video, I have found my niche and plan to next sync my voice with pho­tos and live record­ing in or­der to put my fi­nal project to­gether.

  3. So far, I have a script for the nar­ra­tion fin­ished al­though I might rewrite it (I’m pretty in­de­ci­sive about these things). I have gath­ered about half of the clips that I’m go­ing to use and have cho­sen a song to play in the back­ground. The video is just un­der five min­utes long.

    1. As I said in my post, I haven’t done any­thing yet, but I think I’ll write my nar­ra­tive first as well. I’m cu­ri­ous how you in­tend to use video clips in your nar­ra­tive. Do they have au­dio or will you be speak­ing over the au­dio? I was think­ing of us­ing the murder-documentary for­mat we all love where one sim­ply zooms in and out of a sin­gle photo of the per­pe­tra­tor, nar­rat­ing their atroc­i­ties in a deep voice 😉

  4. I am telling the story of Erin Egan. As a kid she strug­gled with school with a learn­ing dis­abil­ity but kept try­ing and found a way to get through school all the way to Har­vard busi­ness school. I have fin­ished the sto­ry­board for my video in Pow­er­Point and I am fo­cus­ing on how Erin per­se­vered to over­come ad­ver­sity and I end with a mes­sage that makes the viewer want to ex­press them­selves and com­pels them to al­ways keep try­ing. My main con­cern mov­ing into the video part of the project thus far is mak­ing the video long enough for the re­quire­ment and also try­ing to not copy or em­u­late too many ideas from Erin’s per­sonal dig­i­tal nar­ra­tive. I am cur­rently work­ing on the cre­ative ideas be­hind my video and how I want to rep­re­sent each part of Erin’s story.

    1. You’ve come quite a ways on your project, it sounds like, and it sounds like you mainly are look­ing for the vi­su­als that will make the story come to­gether. As a learn­ing dis­abil­ity isn’t usu­ally a vi­sual thing, go lit­eral where pos­si­ble, but ty­ing in vi­su­als that in­fer learn­ing with coloration/settings that sug­gest strug­gling or in­cor­rect­ness seems to be a good com­pro­mise.

  5. My story will be about my best friend’s Eric story about one of his ex­pe­ri­ence while he was in boot camp. The story in­volves an in­ci­dent about a drill sergeant kick­ing a small Asian lady of about 4 feet tall. So far, my script and out­line is done, but will still be re­vised. I plan on work­ing on the by the end of the day by mak­ing a col­lage of videos from YouTube to show im­agery and con­vey pathos with how I tell his story.

    1. I think the story you are choos­ing to tell is a very in­ter­est­ing one. The way in which you choose to use video and sound could make this an ex­tremely in­ter­est­ing and mov­ing dig­i­tal story. I am ex­cited to see the fi­nal prod­uct.

    2. I like this idea, and I’m cu­ri­ous to see what mo­ti­vated this drill sergeant. If you choose to use any mu­sic it could help to set the mood. Cul­tural un­der­tones may also help to ex­pose pathos in this story.

  6. The story I am telling is of my Grand­mother and her at­tempts to be­come a chem­i­cal en­gi­neer dur­ing the late 1950’s. De­spite ad­ver­sity due to sex­ist sen­ti­ments from her friends, fam­ily, and neigh­bors she even­tu­ally lands a job with the Atomic En­ergy Com­mis­sion. This was cou­pled with con­stant back­ground checks from the FBI which fur­ther dam­aged her re­la­tion­ship with her peers. I started a story board us­ing power point and have gath­ered im­ages of her school and the projects she worked on while work­ing with the AEC. I want to fo­cus on keep­ing the feel of the story con­sis­tent with the time pe­riod. This was dur­ing the “Red Scare” so I would like to in­cor­po­rate these sen­ti­ments per­haps with a pic­ture of the berlin wall or a clip of Mc­Carthy. I am also work­ing on a way to con­vey her be­lief in the im­por­tance of fol­low­ing your dream de­spite be­ing told it is not pos­si­ble (with­out di­rectly stat­ing this).

    1. I agree with Kyle. The way you painted a pic­ture for us about your story is al­ready awe­some. I re­ally find this story to be very in­ter­est­ing. I can’t wait to see your fi­nal video!

  7. Try­ing my best to re­cover from a nasty cold, Sto­ry­board­ing is done, record­ings are not but i’m try­ing to get my voice back so it doesn’t sound like a sick per­son talk­ing in my video.

  8. I have drafted out a num­ber of talk­ing points for my video but have yet to record them. I have also started a folder of im­ages and con­tinue to search for vi­su­als to up­load to we­v­ideo.

  9. Sadly, I haven’t ac­tu­ally done any­thing yet. I’ve had a lot of trou­ble un­der­stand­ing ex­actly what we’re sup­posed to do for this project, and I just re­ceived an email from the pro­fes­sor re­spond­ing to some of my ques­tions. At first I thought we were sup­posed to dis­cuss how some­one else’s story they told con­veyed their be­liefs, but I see now that that’s not the goal here. With­out any ex­am­ples I was sort of puz­zled. How­ever, I’m now try­ing to think of a story I know well that some­one has told me in per­son, hop­ing that it will serve me bet­ter than a video on­line. I get “analy­sis paral­y­sis” some­times, and I am pleased to say that I am cured and pre­pared to move for­ward with my project :)

  10. I’m hav­ing a lit­tle trou­ble mak­ing a script. But I think the hard­est part of of get­ting it start­ing is hav­ing a good place to start. I have a lot of ideas of how I want my story to do but there has just been a lot of brain­storm­ing.

    1. How do you feel now that you’ve thought on it for a bit? I’m find­ing it dif­fi­cult to think of non­fic­tion sto­ries that peo­ple have told me that use some of the tools in “De­signs of Mean­ing.” I’m re­ally in­trigued by Bal­ance, but none of the sto­ries I think of have any­thing that con­veys that. I’m very tempted to just come up with a story, even though non­fic­tion sto­ries are what we’re go­ing for here.

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