Digital Storytelling

Unit 1: Belief — Story — Orality
Exer­cise 1: Con­ven­tions of Narrative

 
Week 3
 
M 09/07   Labor Day — No Class

 
» Due (09-Sep): Exer­cise 1

  • post on your blog (Word­Press) by class-time Wednesday

 
 
W 09/09   Dis­cuss: con­ven­tions of nar­ra­tive (exam­ples from exercise)
→ for com­pos­ing dig­i­tal sto­ry­telling project

 

 

    — for Fri­day class: choose/decide story for project; out­line to storyboard/sketch
    plus: watch Shipka video & read Alexan­der excerpt

 
 
 
F 09/11   Dis­cuss:
excerpt from The New Dig­i­tal Sto­ry­telling (pp. 83–9) by Bryan Alexan­der (2011) PDF

  • focus: media + genre con­ven­tions, tech­niques, choices
  • Activ­ity write/sketch in class: sto­ry­board your video (Project 1)
    + publication/circulation map (media, plat­form, audience)
    — for blog entry 1 (post during/after class) 
  •  

  • Resource: Cen­ter for Dig­i­tal Sto­ry­telling (2010)
    “Script­ing” & “Sto­ry­board­ing” excerpts PDF


 
 
» for M 9/14 work­shop — video work-in-progress
 

32 thoughts on “Digital Storytelling

  1. In the essay I read, the nar­ra­tor takes a jour­ney across the coun­try. He learns to accept the nat­ural beauty in the views with­out his cell­phone. The lack of tech­nol­ogy makes this better.

  2. In terms of approach, inti­macy makes a huge dif­fer­ence when telling a story as it encom­passes many of note­cards found in the Dig­i­tal Story-telling toolkit that are impor­tant when engag­ing an audience.

  3. It would be impor­tant to include an aspect of coau­thor­ship whether through pic­tures or sto­ry­telling time­line to allow the reader to be able to con­nect with my story on a per­sonal level.

  4. When com­pos­ing a story on any type of media, you have to con­stantly con­sider all of the ways that the audi­ence will view and inter­pret what all is being pre­sented to them.

  5. In terms of approach, it would be ben­e­fi­cial to include per­sonal expe­ri­ences that many audi­ence mem­bers would have also gone through or can relate to so that an emo­tional con­nec­tion can be made between the audi­ence and author.

  6. The soft spo­ken words by Elvis León left the audi­ence full of sad­ness and a sense of being lost on how to cope with the pass­ing of his friends in such a tragic way. He used his voice and pic­tures to instill his feel­ings, what he per­ceived and how it affected him to tell his story.

  7. When it comes to a nar­ra­tive, I think that a sim­ple and straight for­ward story can really leave a large impact on a per­son in the way that it makes them truly think. If there is a lot going on in a story I feel like there is lit­tle room for inter­pre­ta­tion which leads to fewer take aways. In my project, I would really like to incor­po­rate affect, space, and define to leave an impact sim­i­lar to the one described in my exercise.

  8. Through my analy­sis, I have gained an even greater under­stand­ing of how impor­tant it is to appeal to your lis­tener on every level when telling a story. It is cru­cial to paint a pic­ture for the audi­ence, some­times not only through words but also through pho­tographs. A good sto­ry­teller is inclu­sive; he or she must really bring the audi­ence into the nar­ra­tive. Allow­ing view­ers and lis­ten­ers to feel, see, hear, and touch exactly what is intended in the story. More­over, I believe a great author is relat­able, I found myself enthralled by the nar­ra­tor of the video “Freck­les.” I felt as though I under­stood her feel­ings and her pain.

  9. In ana­lyz­ing the nar­ra­tive of cer­tain pieces, I want to try to uti­lize the “infor­ma­tion arc” as in the “Com­pose” but­ton on Designs of Mean­ing. This arc con­sists of plac­ing infor­ma­tion bal­anced and strate­gi­cally so that it has max­i­mum impact on the reader. This could be sand­wich­ing sor­row­ful infor­ma­tion between two facts that may enlighten the audience.

  10. You as an author have to engage the audi­ence a great way to do that is by imple­ment­ing feeling/emotion into your piece, either by how you nar­rate the story or by what you dis­play to the audi­ence, some­thing has to grab their attention.

  11. This story has given me the insight into my own story that I should use affect to put the reader/listener in my shoes. Doing this will make them relate to the story on a higher level even if they have not expe­ri­enced what I have.

  12. I think telling a story through a nar­ra­tive and visu­als is a very effec­tive way to get your point across quickly and keeps in interesting.

  13. The les­son I learned from this first exer­cise is that it is very impor­tant to know who your audi­ence is, so that you are able to appeal to them cor­rectly, and so that they are able to fully under­stand the point you are try­ing to get across.

  14. In the story “Texas Alli­ga­tors,” the author used var­i­ous types of imagery and engaged the senses to build a per­sonal rela­tion­ship with the audi­ence in order to effec­tively com­mu­ni­cate her belief later in the essay.

  15. I think that show­ing con­flict is one of the best ways to draw an audi­ence in, and cou­pled with emo­tional appeals, oth­er­wise known as pathos, is one of the most pow­er­ful ways to present a story.

  16. It is impor­tant to include the audi­ence and to con­sider how the audi­ence is think­ing, feel­ing, and believ­ing so the story can be told accu­rately and in a way that is relatable.

  17. Engag­ing mul­ti­ple senses can help to make the audi­ence expe­ri­ence more vivid and mem­o­rable, and inter­est them in the story.

  18. I plan to make a video includ­ing some­thing about skate­board­ing and music, two big por­tions within my life story.

  19. There are many ways to attract inter­est. Fig­ur­ing out which medium (writ­ten, visual, audio) most authen­ti­cally recre­ates your emo­tional process or ideas is the key in mixed media dig­i­tal stories.

  20. Using “Envi­sion” as a tool can ade­quately por­tray a desired feel­ing or scene from a story. By using informative/ descrip­tive words and phrases you aid in the craft­ing of the scene.

  21. The belief I took away from Brenton’s “This I Believe” was that all peo­ple are qual. His styles of writ­ing is what drove this home though. His use of appeal to emo­tion and feel­ing while also pro­vid­ing event­ful infor­ma­tion makes his belief clear and intriguing.

  22. In the video I watched, I encoun­tered the nar­ra­tor using descrip­tive lan­guage to try to get the audi­ence to con­nect with her story through emo­tion, and con­nect­ing the emo­tions she described to images.

  23. It is impor­tant to con­sider that your audi­ence is able to inter­pret and access the story or mes­sage that you’re try­ing to con­vey. I think it is impor­tant to strate­gi­cally pick the medium that you choose to share your story on.

  24. For me, hav­ing the abil­ity of envi­sion is impor­tant. It is help­ful to keep the story run­ning smoothly, and hav­ing the con­cept of envi­sion allows for the author to not only be award of the audi­ence, but also allows the author to con­trol the atmos­phere of the nar­ra­tive. It can bring forth emo­tions that act as an ally oop, for the belief or pur­pose at hand.

  25. In “the Insti­ga­tor” the nar­ra­tor used impor­tant color choices to make the audi­ence reflect on their own fam­ily mem­o­ries and emo­tion­ally relate to her story.

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