Unit 1: Belief — Story — Orality
Project 1: Digital Narrative of Belief — multimodal video
Week 4
Multimedia Story (3−5 mins.) — Creating Video (Sept 12–19)
» Timeline (more details below)
- over weekend:
- Register for WeVideo and check out program/interface
→ WeVideo Tutorial Videos (page) - Finalize story; outline/script; continue storyboarding
- Register for WeVideo and check out program/interface
Monday 9/14 Workshop
- for class: have narration recorded and initial materials in WeVideo
- in-class workshop: creating project (initial steps); adding materials (images, audio, video); media tips, sources, tools (see below); discuss narration approaches & ideas
- ICYMI: “WeVideo — Getting Started” video tutorial (9÷12)
(Tue-Thur: compose & edit video)
Wed hybrid work: progress/status + peer feedback/assistance
- Post comments in discussion thread:
- 1. status report (with brief notes)
2. classmate reply (with feedback/suggestion or assistance)
— see page for instructions
Section 015 | Section 021
(private pages, password protected; see email)
» Fri 9/18 Workshop: Video Work-in-Progress
- activity: peer feedback (everyone bring headphones!); troubleshoot / tech support;
last steps for finalizing (publish, post, share)
- Fri-Sun: Final Stage work
-
Video finalized & published Sat 9/19
Composition Summary document posted Sun 9/20 (see prompt)
Project Timeline/Progress Checklist
Monday 9/14 — Video Workshop 1
» Links & Tools for Stage 2
Pixlr
→ online photo editor website (and mobile app)
— edit, crop, compile, collage, add effects (“photoshop”), etc. image files before uploading to WeVideo
Audacity
(download | tutorials)
— edit audio/music files (e.g. song clip, voice recording) before uploading to WeVideo
Internet Archive.org
Audio | Video | Image directories
— searchable & browsable databases; free, unlicensed / open-access content; find high-quality readymade files, download, then add to WeVideo media library
→ other sources or tools for project media?
» email reply to student’s question/idea
The idea is for the belief to be communicated through the story: upon watching, audiences will infer the belief/value/position — precisely by your choices in narration/composition (focus, details, language/description, include/exclude, etc).
The cautionary point “not to state the belief” reminds that it shouldn’t be a thesis statement like in an essay; e.g. “my sister thinks it’s animal cruelty; here’s why she became vegetarian” (genre = exposition, description, argument; not story).
You name a particular approach/technique of narration, “wider perspective toward the end,” that is exactly what I tried getting everyone thinking/talking about in the last part of class. Keeping in mind the contrast of story to essay (and not concluding with an argument), this sounds like a very audience-focused decision — and that rhetorical consideration can definitely help guide your decisions as you compose and edit!