58 Responses

  1. Liz Barkow
    Liz Barkow at | | Reply

    One thing that stuck out at me when read­ing was the impor­tance of tech­nol­ogy in Lenny’s soci­ety. It seems as though every­one but Lenny uses tech­nol­ogy at all times of the day. One exam­ple of this was when Lenny was on the air­plane and peo­ple judged him for read­ing a book, instead of read­ing off of his device. I couldn’t fig­ure out how to put a screen­cast in here, so here is the quote I found. “I quickly sealed the Chekhov in my carry-on, stow­ing it far in the over­head bin. As the pas­sen­gers returned to their flick­er­ing dis­plays, I took out my appa­rat and began to thump it loudly with my fin­ger to show how much I loved all things dig­i­tal, while sneak­ing ner­vous glances at the throb­bing cav­ern around me, the wine-dulled busi­ness trav­el­ers lost to their own elec­tronic lives.”

    1. Samantha McMenemy
      Samantha McMenemy at | | Reply

      I really like the theme of peo­ple get­ting lost in tech­nol­ogy and caught up with their elec­tronic lives. There’s a BBC show called “Black Mir­ror” that’s an anthol­ogy series of “spec­u­la­tive fic­tion with dark and some­times satir­i­cal themes that exam­ine mod­ern soci­ety, par­tic­u­larly with regard to the unan­tic­i­pated con­se­quences of new tech­nolo­gies” (Wikipedia). It’s a fan­tas­tic show and I highly rec­om­mend it — just be sure to skip over the first episode because it’s hor­ri­ble. I think it’s impor­tant to acknowl­edge that tech­nol­ogy has the capac­ity to bring com­mu­ni­ties together (i.e. open affin­ity spaces that encour­age fan par­tic­i­pa­tory cul­ture), but it also has con­se­quences for human behav­ior and soci­etal norms.

      1. Khyler Alvez-Satterlund
        Khyler Alvez-Satterlund at | | Reply

        I was just watch­ing that show last night and thought the same thing. The tone of the book and how Lenny describes the world around him reminded me of the episode I watched mul­ti­ple times, a semi-dystopian future that was incred­i­bly reliant on technology. 

        I think both that show and the book (so far) is a social com­men­tary on how much we rely on tech­nol­ogy today. Both cases show much more extreme ver­sions of this but the par­al­lels between those worlds and ours are obvi­ous. While they are fic­tional worlds and sto­ries they mir­ror ours. They are try­ing to demon­strate how tech­nol­ogy is tak­ing away from our humanity.

    2. Liz Barkow
      Liz Barkow at | | Reply

      Noah aimed his apparat’s cam­era noz­zle at me, mark­ing me as the sub­ject for his evening news seg­ment” (pg. 84) This quote shows that tech­nol­ogy is used every­where in Lenny’s soci­ety. It never ends.

  2. Samantha McMenemy
    Samantha McMenemy at | | Reply

    While read­ing Super Sad True Love Story, the very first sec­tion of the first chap­ter “Do Not Go Gen­tle” struck me. I’m not work­ing on a Mac, and I have no idea how to do a screen­shot on a Toshiba so here we go:

    Dear­est Diary,

    Today I’ve made a major deci­sion: I am never going to die. Oth­ers will die around me. They will be nul­li­fied. Noth­ing of their per­son­al­ity will remain. The light switch will be turned off. Their lives, their entirety, will be marked by glossy mar­ble head­stones bear­ing false sum­ma­tions… and then these too will be lost in a coastal flood or get hacked to pieces by some genet­i­cally mod­i­fied future-turkey…

    But wait. There’s more, isn’t there? There’s our legacy.”

    This excerpt reminded me of our first project and work­ing with the con­cept of dig­i­tal iden­tity. There was a video I orig­i­nally watched on Buz­zFeed that talked about our online life after death and dig­i­tal legacy, and I posted it on my blog here: https://​sam​c0787​.word​press​.com/​d​i​g​i​t​a​l​-​i​d​e​n​t​i​t​y​-​t​h​r​o​u​g​h​-​s​n​a​p​c​h​a​t​/​a​-​f​i​l​t​e​r​e​d​-​p​e​r​f​o​r​m​a​n​ce/

    1. Betsy Main
      Betsy Main at | | Reply

      For some rea­son when I was read­ing that same pas­sage you posted I was think­ing that he was hav­ing an “exis­ten­tial cri­sis” –try­ing to find mean­ing in life or pur­pose. Fig­ur­ing out dig­i­tal iden­tity is like a mod­ern ver­sion of get­ting through an exis­ten­tial crisis.

      1. Tom Steinbach
        Tom Steinbach at | | Reply

        I think look­ing at this through a kind of mod­ern exis­ten­tial cri­sis is really inter­est­ing. We all strug­gle with the actual thought of death, and what will become of our history/time on earth. What it means that we expe­ri­ence life the way we do, and whether one’s real­ity is sim­i­lar to another’s. I think this quote cap­tures those thoughts, and ques­tions per­fectly, and pos­si­bly show that life is what you make of it.

    2. Ryan Long
      Ryan Long at | | Reply

      That entire pas­sage made me think about what someone’s iden­tity truly is. I men­tioned in my state­ment that the inter­pre­ta­tion of per­sonal iden­tity is com­pletely based upon the per­son ask­ing the ques­tion. Is our genetic makeup what makes us who we are or how we por­tray our­selves the main con­cern for iden­tity? It seemed to me like they finally decided on how to inter­pret their iden­tity; as in they finally found out how to iden­tify them­selves, tan­gi­ble or not.

  3. Betsy Main
    Betsy Main at | | Reply

    I have noticed in the jour­nal entries the writ­ing or “dig­i­tal iden­tity” is seen. They are writ­ing exactly how they are think­ing and feel­ing. They do this by using bold text and slang to get their emo­tions across. In the first entry in June 1st this is seen very promi­nently. I have the book on a kin­dle on my lap­top so I don’t know how to screen­shot. “So adorable. He kind of looked a lit­tle like Gopher but much thin­ner (ha ha ha). His name is Ben, which is pretty gay, but he was SO NICE and so smart.” 

    Shteyn­gart, Gary (2010−07−21). Super Sad True Love Story: A Novel (p. 27). Ran­dom House Pub­lish­ing Group. Kin­dle Edition. 

    oh wow it did an auto­matic citation

    1. Samantha McMenemy
      Samantha McMenemy at | | Reply

      So far, Lenny’s tone/voice seems really judg­men­tal towards oth­ers (with per­haps the excep­tion of Eunice) and his lan­guage is extremely crude and sex­u­ally explicit at times, which speak­ers lengths about the character’s personality.

    2. Alexandra P-Keller
      Alexandra P-Keller at | | Reply

      It’s an inter­est­ing idea behind how tone and lan­guage are evolv­ing with tech­nol­ogy. This is a big theme in this book — how lan­guage is chang­ing and tech­nol­ogy allows us to make it more casual, short, abbre­vi­ated, or cre­ate these slang acronyms that become essen­tially uni­ver­sal as they are spread. If you text some­one “lol” they will know what it is if they par­tic­i­pate in tech­nol­ogy as a cul­ture form. With social media, the com­par­i­son of Teen­book in the text, we con­nect on vir­tual plat­forms and cre­ate these com­mon lan­guages that those who par­tic­i­pate on the plat­form under­stand and also cre­ate. We shape our iden­ti­ties through our under­stand­ing of lan­guage and this con­nects to your idea and a large idea that the author is try­ing to touch upon as well.

    3. Jamison Schaffnit
      Jamison Schaffnit at | | Reply

      That’s exactly what I was think­ing, but Alex beat me to it. The tone of infor­mal­ity really gives the story a more mod­ern feel and helps to estab­lish to emo­tion and con­text of the first sec­tion of the novel.

    4. Betsy Main
      Betsy Main at | | Reply

      P.P.S. I thought you were pretty cute on your friend Noah’s stream but you should really try to get off “101 Peo­ple We Need to Feel Sorry For.” That guy with the SUK DIK over­alls is just being cruel to you. You are not a “greasy old schlub,” what­ever that means, Lenny. You should stand up for yourself.”

      This quote caught my atten­tion because it shows in a play­ful way that Lenny has com­mu­ni­ca­tion or self con­fi­dence issues, assum­ing that he would rather read then be social but also the topic is ask­ing for him to get judged. And when she says “get off” it bring up the ques­tion of what type of device is he read­ing that on, a book, or online, or on a blog even?

  4. Rebeca
    Rebeca at | | Reply

    I thought it was inter­est­ing how every­one seems to cling to their youth, mostly because in this soci­ety youth is equal to attrac­tive­ness. How­ever, to me the extend they go through to do so seem very ridicu­lous and even a lit­tle embar­rass­ing, for exam­ple Leonard seems to look up to Joshie who has been through what seems a lot of reju­ve­nat­ing and who uses words like “Homies” towards peo­ple that work for him. “His office was packed with a dozen young staffers I hadn’t seen before, all chat­ting at once. “Homies,” he said to his acolytes, “can I get a minute here? We’ll get right back into it. Just one moment.” Col­lec­tive sigh. They trooped past me, sur­prised, agi­tated, bemused, their äppäräti already pro­ject­ing data about me, per­haps telling them how lit­tle I meant, my thirty-nine-year-old obsolescence.”

    1. Abby Hunt
      Abby Hunt at | | Reply

      I also thought that it was inter­est­ing how Lenny talked in this lan­guage and I think that the author, Gary Sht­eny­gart wanted to use this lan­guage as a way to poke fun at youth cul­ture. Also, Lenny prob­a­bly uses his explicit lan­guage and behav­ior as a way to com­pen­sate for the fact that he doesn’t have as many friends or con­nec­tions besides Eunice.

    2. Travis Ares Matt
      Travis Ares Matt at | | Reply

      What you wrote here is highly relat­able to one of Lenny’s mono­logues stating:
      “My hair would con­tinue to gray, and then one day, it would fall out entirely, and then, on a day mean­ing­lessly close to the present one, mean­ing­lessly like the present one, I would dis­ap­pear from the earth. And all these emo­tions, all these yearn­ings, all these data, if that helps to clinch the enor­mity of what I’m talk­ing about, would be gone. And that’s what immor­tal­ity means. It means self­ish­ness. My gen­er­a­tions belief that each one of us mat­ters more than you or any­one else would think.” 

      Youth, or at least the phys­i­cal aspect of it, is of utmost regard in this novel. They believe to have no value if they are with­out it. Peo­ple seem to go through an inter­nal cri­sis as they age, and go through just as much of one to pre­vent this aging from tak­ing place. It’s inter­est­ing to think which mat­ters more to those in the uni­verse of this novel, tech­nol­ogy or youthfulness.

      1. Rebeca
        Rebeca at | | Reply

        I agree, its def­i­nitely inter­est­ing to think about how the cri­sis peo­ple go through when they real­ize they are aging is also a part of ours own cul­ture, maybe not to the extent as in the novel, but it is present in West­ern soci­ety. Whether this is a symp­tom or a cause of our World Wide Con­nec­tiv­ity is of lit­tle rel­e­vance when think­ing about the prob­lems it causes.

    3. Liz Barkow
      Liz Barkow at | | Reply

      Although the events in this novel are fic­ti­tious, I think the idea of stay­ing youth­ful par­al­lels our soci­ety. Lenny’s work involves keep­ing peo­ple “youth­ful” and I think the mea­sures peo­ple in our soci­ety go through to look youth­ful on the out­side are insane. I liked how the author included a lot acronyms, because peo­ple are always try­ing to stay cur­rent and fit in with younger generations.

  5. Abby Hunt
    Abby Hunt at | | Reply

    After start­ing this novel I was reminded about top­ics from the begin­ning of the semes­ter, espe­cially ideas about writ­ing diaries. Because Lenny likes to jot down his thoughts into a diary it cor­re­lates to mod­ern day dig­i­tal iden­tity. By always hav­ing our online move­ments archived through social media web­sites or other online reser­voirs, we never lose track of what we say. In a way the whole inter­net is a diary for every­one who logs on and posts some­thing. In Super Sad True Love Story, it is evi­dent that Lenny is behind the bag wagon when it comes to technology/digital iden­tity and cre­at­ing an “online diary” instead of his phys­i­cal note­book diary. In chap­ter 1, page 23, I really liked the quote “develop a sense of nos­tal­gia for some­thing, or you’ll never fig­ure out what’s impor­tant.” I think this could go along with the ideas about hav­ing a phys­i­cal diary vs. an online one. We have to have nos­tal­gia for what used to be instead of focus­ing only on the present and future. Through these ideas we can tran­si­tion in mov­ing for­ward with our dig­i­tal world focus­ing on what is most impor­tant, the con­tent that we are pro­duc­ing in the first place.

    1. Rebeca
      Rebeca at | | Reply

      I was also struck by the char­ac­ters inabil­ity to be present in the moment. Lenny is always wor­ry­ing about the future (finances, his age, his job, pol­i­tics) or about peo­ple that aren’t really present in his life (Eunice, his par­ents). While Eunice tends to want to be in the places she is not, when she is in Rome she wants to be in New York, when she’s with Ben she wants to be with Lenny. I think this is all a con­se­quence of being con­stantly con­nected to every sin­gle per­son in the planet, as they can’t really focus on what they are doing or who they are with.

    2. Alexandra P-Keller
      Alexandra P-Keller at | | Reply

      Nos­tal­gia is an impor­tant theme in many dif­fer­ent books and real life expe­ri­ences. Nos­tal­gia allows us to remem­ber and rem­i­nisce on pre­vi­ous events. By cre­at­ing our online dig­i­tal iden­ti­ties, we have the capa­bil­i­ties to doc­u­ment every­thing we do, espe­cially over time. Face­book nowa­days has daily reminders of pho­tos, events we went to, posts we or our friends did on our time­lines, for that day every year since we’ve had it. For me, when I review my Time­hop or Face­book flash­backs, it often pushes me to reach out and act on that feel­ing of nos­tal­gia that is affected by the “mem­ory.” By cre­at­ing our dig­i­tal iden­tity, we uncon­sciously archive our dig­i­tal his­tory — speak­ing to your ref­er­ence of the diary Lenny keeps. In a way we have an emer­gent form of a diary with­out really acknowl­edg­ing it. We use social media to speak our thoughts, record our life events, and post pho­tos of our­selves at that time. They get archived and become a part of our dig­i­tal his­tory and iden­tity. This is a very inter­est­ing con­cept (dig­i­tal his­tory) to me and will keep it in mind for fur­ther dis­cus­sion. Espe­cially when this his­tory or moment would not have been remem­bered if it wasn’t for the dig­i­tal platform.

      1. Alex Lelwica
        Alex Lelwica at | | Reply

        Good point about the “nos­tal­gia” part through­out this read­ing. He seems to do that quite often through­out, along with refer­ring back to his diary as if it were a com­mon social media plat­form back then. You’re exactly right when you say that these days we use Face­book and other social media plat­forms as our “diary” and it seems like this kind of self-representation will always be around, just comes in dif­fer­ent forms at dif­fer­ent times.

    3. Rosemary Mohr
      Rosemary Mohr at | | Reply

      I think its inter­est­ing how he uses a phys­i­cal diary instead of an online plat­form espe­cially when Eunice, the love of his life uses an online dairy. Face­book rep­re­sents dig­i­tal iden­tity prob­a­bly bet­ter than any online plat­form just because its all in one place 100% archival, unlike the tra­di­tional diary and photo book Lenny uses.

    4. Abby Hunt
      Abby Hunt at | | Reply

      A quote from later on in the book that cor­re­lates with my first quote in chap­ter 1, is Lenny’s June 18th diary entry. He pro­claims “Dear Diary, oh my God, Oh My God! She’s here. Eunice Park is in New York,” this kind of writ­ing reminds me of how some­one would start a tweet or cap­tion a Snapchat instead of writ­ing in a diary. This again high­lights the fact that Lenny is more out­dated and old school than society.

  6. Travis Ares Matt
    Travis Ares Matt at | | Reply

    The ingroup and out­groups (HNWIs and LNWIs, respec­tively) are very clearly depicted in this novel. Whereas one relies heav­ily on their dig­i­tal iden­ti­ties to con­vey their per­sonal infor­ma­tion, com­mu­ni­cate with, and judge each other, their online rep­u­ta­tion pre­cedes mem­bers of this group (HNWIs) in the form of hot­ness rat­ings etc., and the other being the “old school” or tra­di­tional group who care sig­nif­i­cantly less for online iden­tity, com­mu­ni­ca­tion between these groups is frowned upon of by the pub­lic. The main pro­tag­o­nist, Lenny, writes in diary form and seems to be caught between these two groups, he clings to the old ways (using books, etc.) but has the desire to live for­ever though being faced with his own mor­tal­ity in the form of his bald­ing hair and age. His love, the much younger Eunice, con­tributes through e-mail cor­re­spon­dence and is more seated in the HNWI com­mu­nity, some­one who cares for hot­ness rat­ings and such. The novel con­veys a satir­i­cal view of a world in which the gov­ern­ment pro­motes and medi­ates a con­sumer based com­mu­nity that relies on van­ity and tech­nol­ogy to stay rel­e­vant. And those who do not rely on these things, fade into obscurity.

    “Then I cel­e­brated my Wall of Books. I counted the vol­umes on my twenty-foot-long mod­ernist book­shelf to make sure none had been mis­placed or used as kin­dling by my sub­tenant. “You’re my sacred ones,” I told the books. “No one but me still cares about you. But I’m going to keep you with me for­ever. And one day I’ll make you impor­tant again.” I thought about that ter­ri­ble calumny of the new gen­er­a­tion: that books smell.” ”

  7. Alexandra P-Keller
    Alexandra P-Keller at | | Reply

    I decided to pull off the idea of LNWI and HNWI — com­pare to my Wikia dis­cus­sion on Dig­i­tal Natives and Immi­grants. It seems this book is going to focus on the clash of the two with Lenny and Eunice. Lenny is a Dig­i­tal Immi­grant, com­ing from a gen­er­a­tion that didn’t have such as high upbring­ing with tech­nol­ogy inte­grated ver­sus Eunice who is a Dig­i­tal Native with a more tech­no­log­i­cal inte­grated upbring­ing. We see these two peo­ple merge with their rela­tion­ship and it cre­ates a mixed iden­tity and the process of under­stand­ing and coex­ist­ing dig­i­tal iden­ti­ties. Lenny doesn’t want to “die” (based off the first sen­tence of the book in his major deci­sion “I am never going to die”) and I feel like this can be taken as a phys­i­cal death, but also death to his iden­tity and under­stand­ing of the world around him. With all the increase in tech­nol­ogy he faces on a daily basis, his iden­tity and per­spec­tive on the world and how it works is also dying, its becom­ing out­dated. From the moment on the plane being the only one with a book, to his reflec­tion on his wall of books, to his need to stick to a writ­ten diary, he’s forced to con­front one of his biggest fears and maybe his rela­tion­ship with Eunice is his attempt to inte­grate tech­no­log­i­cal under­stand­ings to identity.

    1. Davis Livingstone
      Davis Livingstone at | | Reply

      We absolutely see two indi­vid­u­als uniquely merge in their rela­tion­ship and cre­ate a mixed iden­tity through their almost stricly tech­no­log­i­cal processes of under­stand­ing and coex­ist­ing with their iden­ti­ties. Under­stated in rela­tion to this idea is the giant age gap between Lenny and Eunice and how that fact is being medi­ated by their ingrained use and deep under­stand­ing of tech­nol­ogy, which brings them closer in a sim­i­lar way to that cer­tain ideals or arti­facts bring together dif­fer­ent aged indi­vid­u­als in our era/culture.

  8. Tom Steinbach
    Tom Steinbach at | | Reply

    I think the pas­sage where our nar­ra­tor has to talk to a dig­i­tal otter is a pretty fun medi­ated expe­ri­ence. The nar­ra­tor is giv­ing what seems to be our over para­noid gov­ern­ment insights into the rea­sons Amer­i­cans go abroad , and what there expe­ri­ence is like. The otter is just a nice way to dis­tract the per­son from the real­ity of the situation.
    “The otter stood up on his hind legs, and made a show of dust­ing him­self off. ‘Hi there pa’dner!’ he said, his elec­tronic voice drip­ping with adorable car­ni­va­lesque. “My name is Jef­ferey Otter and I bet we’re going to be friends!”
    Later in the same pas­sage the otter says “Remem­ber I’m here to help you” The otter goes on to ask about Larry’s expe­ri­ences while he was abroad. Even ask­ing about very per­sonal ques­tions such as credit score, and sex­ual part­ners until the device freezes, and our nar­ra­tor goes to ask for help.

    1. Tom Steinbach
      Tom Steinbach at | | Reply

      Don’t know how, but meant Lenny not Larry. Feel a bit dumb, but please just over­look my stupidity.

    2. Sydney Tappin
      Sydney Tappin at | | Reply

      I agree I think the use of tech­nol­ogy in this sit­u­a­tion is more of a dis­trac­tion than any­thing else. This could also say some­thing about tech­nol­ogy for us. I think some­times social media is just a dis­trac­tion from our own lives.

  9. Alex Lelwica
    Alex Lelwica at | | Reply

    Super Sad True Love Story: The Novel
    Page 78:

    That’s right: I am never going to die, caro diario. Never, never, never, never. And you can go to hell for doubt­ing me.” 

    • It’s funny how he refers back to his diary mul­ti­ple times and by mul­ti­ple names. It shows us he’s now over­seas writ­ing and is jok­ingly incor­po­rat­ing their lan­guage into his own, in a good way though. The fact that he is writ­ing to his diary shows the time frame/era he was in too and how tech­nol­ogy, like Abramov said, was “almost here” (page 66) to save him

    1. Scott MacDonald
      Scott MacDonald at | | Reply

      I think Lenny is fed up with tech­nol­ogy and the “appa­rat” and he sees how its alter­ing this dystopia that he is in. Diaries are gen­er­ally some­thing that is hand­writ­ten and more inti­mate to the writer. So I think the fact that the diary is present in this novel and he refers back to it a num­ber of times is show­ing the dif­fer­ence between the inti­macy of the old fash­ioned style of dis­play­ing emo­tion (diary entries) and the present world he is in that is over­run with tech­nol­ogy and instant mes­sag­ing. Lenny val­ues the old fash­ioned and seeks that emo­tion of some­thing real and tan­gi­ble like handwriting.

  10. Jamison Schaffnit
    Jamison Schaffnit at | | Reply

    Con­cern­ing our gen­eral focus on tech­nol­ogy and media ecol­ogy, there is undoubt­edly a theme of the impor­tance of tech­nol­ogy in the novel. It is first seen when he goes to the Amer­i­can embassy and is prompted with a machine to screen him before return­ing to Amer­ica. Then with through his inter­ac­tion with Eunice, there is a com­par­i­son between gen­er­a­tions and tech­nolo­gies, show­ing an increased usage of tech­nol­ogy in the younger generations.
    “‘So it says in my Time Out guide’ the impu­dent girl said to me. She lifted up her apparat-like device, and in shock­ingly per­fect Ital­ian ordered a taxi to come pick us up. I hadn’t felt so fright­ened since high school. Even death, my slen­der inde­fati­ga­ble neme­sis, seemed lack­lus­ter when com­pared with the all-powerful Eunice Park”

    1. Camile Clarke
      Camile Clarke at | | Reply

      I would have to agree with you. So far in the novel tech­nol­ogy ref­er­ences seem to be pop­ping up every­where. Espe­cially with Eunice and her lingo and her ease of using the tech­nol­ogy that is around her. It is really evi­dent the gen­er­a­tion dif­fer­ences between Eunice and her mother and I guess Lenny too.

  11. Ryan Long
    Ryan Long at | | Reply

    Right in the first chap­ter “Do Not Go Gen­tle”, the quote “I am never going to die” really caught my atten­tion. The text itself was ital­i­cized, and that made me think of what it really means. My first ques­tion was whether he meant that in a phys­i­cal sense or an intan­gi­ble sense. Phys­i­cal because of the pass­ing down of genet­ics or intan­gi­ble as his iden­tity or who he was as a per­son; an idea. Was he going to pass on his DNA or was he going to be remem­bered to the end of time? That was what I was ask­ing myself when I first came across the text. So all this is under the cat­e­gory of his iden­tity. That idea itself is up to the inter­pre­ta­tion of the per­son ask­ing the question.

    1. Jamison Schaffnit
      Jamison Schaffnit at | | Reply

      That’s and inter­est­ing per­spec­tive and I was won­der­ing that myself as well. I’m won­der­ing with the estab­lished dig­i­tal era, will have any­thing to do with this idea of immor­tal­ity, as someone’s dig­i­tal pres­ence will never expire.

      1. Rachael Yenney
        Rachael Yenney at | | Reply

        I think that’s exactly what he is say­ing, Jami­son. We will live on for­ever because of our dig­i­tal foot­print and trail left behind after our phys­i­cal bod­ies are no longer “work­ing”, or here. Tech­nol­ogy gives us a chance to leave a last­ing legacy, if you will — a per­ma­nent self and iden­tity through media. Like you said “immortality”.

    2. Ryan Long
      Ryan Long at | | Reply

      Dear Diary, Oh my God, oh my God, Oh My God! She’s here. Eunice Park is in New York. Eunice Park is in my apart­ment! Eunice Park is sit­ting NEXT TO ME on my couch while I’m writ­ing this.” This quote from the begin­ning of the chap­ter Total Sur­ren­der shows to me that his diary is lit­er­ally a phys­i­cal man­i­fes­ta­tion of his mind, almost word for word. It goes back to the idea of iden­tity the diary is a lit­tle bit of the phys­i­cal part and the ambigu­ous part of iden­tity. Phys­i­cal because you can hold it but ambigu­ous because it con­tains ideas and con­tent that is intangible.

  12. Scott MacDonald
    Scott MacDonald at | | Reply

    The recur­ring theme of the “appa­rat,” an elec­tronic device, pre­sum­ably a cell phone(?), I found to be quite inter­est­ing. It’s clear that Lenny is not fond of the apparat. 

    Got up around eleven, caffe mac­chi­ato at the bar that has the best honey brioche, the neighbor’s ten-year-old anti-American kid scream­ing at me from his win­dow, “No global, No way!,” warm cot­ton towel of guilt around my neck for not get­ting any last minute work done, my appa­rat buzzing with con­tacts, data, pic­tures, pro­jec­tions, maps, income, sound, fury” (Shteyn­gart 6).

    Lenny is filled with fury with all of the chaos the appa­rat brings. In a world that seems to be dom­i­nated by tech­nol­ogy, Lenny seeks some­thing more inti­mate. This speaks a lot about the social con­ven­tions dur­ing this time in the soci­ety. It appears to be over­wrought with tech­nol­ogy and the soci­ety lacks any “real” emo­tion. Con­sid­er­ing this was writ­ten dur­ing our present time period, I think Shteyn­gart is allud­ing to the fact that our cul­ture is dom­i­nated by tech­nol­ogy use and how the con­stant “buzzing” of data (social media, texts, etc.) is infu­ri­at­ing and is lead­ing us down towards a black and white world where every­one lacks any real con­tact or emo­tion, like that of Lenny’s future dystopia.

  13. Khyler Alvez-Satterlund
    Khyler Alvez-Satterlund at | | Reply

    It’s inter­est­ing to see the social con­ven­tions on dis­play so far. Lenny’s inter­ac­tion with the Otter at the US Embassy was very telling for both the world in the novel and the char­ac­ter of Lenny. Tech­nol­ogy is so far ahead at this point that things like that are nor­mal around the world, how­ever to Lenny they still seem very strange. The Otter is a mock of our grow­ing reliance on AI with things like Siri today. It’s made appar­ent early that Lenny is hang­ing onto his human­ity over the over­whelm­ing pres­ence of tech­nol­ogy as much as he can. (This is repeated through­out the next few chap­ters with exam­ples that oth­ers have pointed out, such as him read­ing an actual book instead of on some sort of tablet)

    As I said in a reply, it reminded me a lot of an episode of a show called “Black Mir­ror” that I watched for the first time just last night, about a future where soci­ety is ruled by tech­nol­ogy and every­body lives indoors under­ground. The main char­ac­ter in that episode reminded me a lot of Lenny, cling­ing onto the lit­tle bit of “real­ness” that was left, which wasn’t much.

    1. Rachael Yenney
      Rachael Yenney at | | Reply

      I like what you said at the end — “cling­ing onto the lit­tle bit of real­ness that was left, which wasn’t much”. I totally agree. Some of the things pro­duced via tech­nol­ogy aren’t real, they are made up. So where do you find the real­ness? Lenny is totally grasp­ing and hang­ing on to what is left, and tan­gi­ble — like the book exam­ple you gave. He is strug­gling with his iden­tity as the world changes into a tech­no­log­i­cal being around him.

    2. Alex Janney
      Alex Janney at | | Reply

      I think your analy­sis is very insight­ful. I agree with your char­ac­ter­i­za­tion of the author as one who is try­ing to defy the over­whelm­ing influ­ence of arti­fi­cial intel­li­gence, how­ever I also feel as though he is not com­pletely run­ning away from the real­ity of its pres­ence. I feel as though the author is com­mu­ni­cat­ing an inter­nal strug­gle in which he tries to find a bal­ance that allows for him to embrace the world around him while also stay­ing in touch with his humanity.

    3. Khyler Alvez-Satterlund
      Khyler Alvez-Satterlund at | | Reply

      https://i.gyazo.com/745f98351991138c53039e00ad011356.png

      This quote rep­re­sents how Lenny is grow­ing in a vol­un­tary way. He is try­ing to con­nect more with Youth Cul­ture and tech­nol­ogy because of his attrac­tion to Eunice, and this is one exam­ple of said attempts. You can still tell (through both points of view) that he is still cling­ing onto his view of the world that doesn’t rely so much on tech­nol­ogy, and it is because of Eunice’s youth that he is try­ing to adapt to this world of abun­dant technology.

      1. Khyler Alvez-Satterlund
        Khyler Alvez-Satterlund at | | Reply

        This is my quote/analysis from Chap­ter 11, from the begin­ning of class on Friday.

  14. Rachael Yenney
    Rachael Yenney at | | Reply

    Read­ing is dif­fi­cult. Peo­ple just aren’t meant to read any­more. We’re in a post-literate age. You know, a visual age. How many years after the fall of Rome did it take for a Dante to appear? Many, many years.” (p. 277)

    I love this quote from the book, Super Sad True Love Story. I com­pletely agree with him. Every­one is look­ing for a short cut and read­ing isn’t enjoyed for read­ings sake any­more. Through visual aids and sup­ple­ments like memes, gifs or music videos, we learn the con­tent — not by read­ing. Our instant-gratification soci­ety want the con­densed, easy ver­sion of mate­r­ial — not to take the time to read like he men­tions about Dante. Read­ing takes time, con­cen­tra­tion, and the right envi­ron­ment. Our soci­ety doesn’t want to take the time for that. We may resort to audio books or short­ened ver­sions, like ClifNotes, that are fast and simple.

    1. Sydney Tappin
      Sydney Tappin at | | Reply

      I com­pletely agree, I think that this is com­pletely rep­re­sen­ta­tive of our soci­ety. We are so image dri­ven that it is no longer com­mon to learn or get news by read­ing a book from front to back, but rather, by search­ing mul­ti­ple snipets of infor­ma­tion on the Inter­net that gives us an over­all analy­sis. Which in part relates to our Wikias. Nobody would go to just one of our pages to learn every­thing they need to know about a given topic.

  15. Rosemary Mohr
    Rosemary Mohr at | | Reply

    I cant do a screen cast because I have the actual paper­back book. But here’s a quote:
    “It’s 1984, baby. Not that you would get the ref­er­ence. Maybe our book­ish friend Lenny here could enlighten us.”
    Lenny has a very inter­est­ing dig­i­tal iden­tity while he writes in a diary and can not get over the con­cept of youth. I think it’s inter­est­ing to read about a dig­i­tal iden­tity that is dif­fer­ent from our own, yet the same. I’m not sure if any­one uses a diary in 2015, the the con­cept of a diary is present in our every day lives, through dif­fer­ent tech­no­log­i­cal plat­forms, like Face­book, where we can write about what going on from day to day, then look back at all of it when­ever we please.

  16. Sydney Tappin
    Sydney Tappin at | | Reply

    What ini­tially struck me was how Lenny imme­di­ately decided to look thor­oughly into Eunice’s finan­cial back­ground as well as her fam­i­lies. It was a bit creepy to me at first. Then I remem­bered peo­ple do things like that all the time now. Stalk­ing on social media is more than just accepted, it’s a norm. It was inter­est­ing to me though that Lenny, who seems to rep­re­sent tra­di­tional and old habits (such as keep­ing a diary), was par­tic­i­pat­ing in such a tech savvy form of research. Eunice says he is “nerdy” and calls him “Grandpa” but this doesn’t seem to be the act of a Grandpa. Lenny seems to have an obses­sion with youth and is con­vinced he will never die. It seems to me that he is going through a midlife crisis.

    1. Sydney Tappin
      Sydney Tappin at | | Reply

      Remem­ber this… develop a sense of nos­tal­gia for some­thing, or you’ll never fig­ure out what’s important.”

  17. Alex Janney
    Alex Janney at | | Reply

    While read­ing the novel “Super Sad True Love Story: A Novel” I felt one of the most promi­nent key con­cepts that stood out involved the idea of dig­i­tal iden­tity. The author, Gary Shteyn­gart, intro­duces the novel but ques­tion­ing the idea of legacy in terms of iden­tity and how our under­stand­ing of mak­ing a last­ing impres­sion on soci­ety has changed over time. Con­tem­po­rary soci­ety has expanded our means of leav­ing a “legacy” through mod­ern tech­no­log­i­cal capa­bil­i­ties of record­ing and stor­ing your life’s jour­ney that allows us to uti­lize and manip­u­late the cul­tural prac­tices of our time to shape the impact we leave on our world. 

    But wait. There’s more, isn’t there? There’s our legacy. We don’t die because our prog­eny lives on! The rit­ual pass­ing of the DNA, Mama’s corkscrew curls, his granddaddy’s lower lip, ah buh-lieve thuh chil’ren ah our future. I’m quot­ing here from “The Great­est Love of All,” by 1980s pop diva Whit­ney Hous­ton, track nine of her epony­mous first LP. Utter non­sense. The chil­dren are our future only in the most nar­row, tran­si­tive sense. They are our future until they too per­ish. The song’s next line, “Teach them well and let them lead the way,” encour­ages an adult’s relin­quish­ing of self­hood in favor of future gen​er​a​tions​.my kids,” for exam­ple, is tan­ta­mount to admit­ting that one will be dead shortly and that one’s life, for all prac­ti­cal pur­poses, is already over. “I’m grad­u­ally dying for my kids” would be more accu­rate. But what ah our chil’ren? Lovely and fresh in their youth; blind to mor­tal­ity; rolling around, Eunice Park– like, in the tall grass with their alabaster legs; fawns, sweet fawns, all of them, gleam­ing in their dreamy plas­tic­ity, at one with the out­wardly sim­ple nature of their world. And then, a brief almost-century later: drool­ing on some poor Mex­i­can nurse­maid in an Ari­zona hospice.”

    Shteyn­gart, Gary (2010−07−21). Super Sad True Love Story: A Novel (pp. 3–4). Ran­dom House Pub­lish­ing Group. Kin­dle Edition.

    1. Alex Janney
      Alex Janney at | | Reply

      For what­ever rea­son it won’t let me post my screen­shots so I just quoted my pas­sage of discussion.

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